The film received mixed reviews from critics, but was a major box office success, grossing $758 million worldwide. A failed straight romance was at the center of her descent to villainy, but Maleficent’s queerness was more present than ever, the sole “other” in a world of fairies, princesses, and kings. Maleficent enhanced the queer aspects of the character’s story, presenting her as a figure othered by a closed-minded and ignorant society. Maleficent (2014) was the first in a series of films that retooled Disney’s classic stories from the villain’s perspective. The redemption of the Disney villain Image used with permission by copyright holder This reception, in turn, led to the reframing of the villains as complex and perhaps misunderstood characters rather than one-dimensional creatures of greed and hatred, leading to the modern state of Disney villainy. With LGBTQ representation as scarce as it was back during the Hays Code, villains became the leaders of a community striving to find anything that resembled them in major motion pictures. Perhaps that’s why villains became so beloved during the new millennium. And for a community that spent so long hiding in the shadows out of shame and fear, any representation worked, even when closely associated with villains. Sure, the queerness of these characters might’ve still been “evil,” but it was also more mainstream than ever. Yet, in painting the LGBTQ+ community in a negative light, Disney unintentionally popularized the very same traits it was trying to vilify. If their distinctive designs weren’t enough, their larger-than-life personas drove the point home. It’s unclear if Disney’s actions were deliberate or if the studio simply went along with the general consensus and voiced what many people already believed about the LGBTQ community, but the overt queerness of their villains is undeniable. Think of Ursula shaking her hips during Poor Unfortunate Souls, Scar toying with the mouse he’s about to eat in The Lion King, or Governor Ratcliffe gleefully proclaiming his superiority and greed during Mine, Mine, Mine from Pocahontas. And then you die.” Certainly, Disney villains thrived on their queerness, savoring the wickedness of their actions and almost getting off on it. We could interpret Disney’s use of queer coding on its villains as the studio trying to reaffirm the negative connotations most closely associated with the LGBTQ community. Is he … you know? Image used with permission by copyright holder For tickets, click here.Cruella’s Nadia Stacey on making Emma Stone a punk princess Included in your $50 admission is Bacardi cocktails and snacks from Books and Books, BrickTops, El Novillo, SushiSamba, Swine, Tarpon Bend The Filling Station & Garage Bar and more. This year’s exhibit is curated by Brooklyn-based company Create Collect. Winners get chips that go towards the purchase of the art on display that night. You’ll get to channel your inner jet setter with casino games including roulette, craps, poker and blackjack. This year’s theme: A Night in Monte Carlo. 8 when the Coral Gables Museum’s (285 Aragon Ave.) Young Associates Committee hosts their 4th annual Party on the Plaza. For more information, please visit Coral Gables RoyaleĪ little bit of James Bondian glitz and glam comes to Coral Gables at 7 p.m. I look forward to bringing a modern take on music, nightlife and ambiance to this street, and being part of Calle Ocho’s renaissance.” Says Sanchez, “We’ll be bringing a lot of the elements from Bar that people loved, as well as a new brand of art and culture to this emerging neighborhood.” Sidebar will be open Tuesday, Thursday, Friday and Saturday from 7 p.m. A courtyard will feature traditional beer garden décor with unfinished benches, string lights, and “comfortable cushions for casual conversation.” “I’m honored to open Sidebar on Calle Ocho, which holds such tremendous history for my family. The brainchild of Miamian Jason Odio in collaboration with Rauel Sanchez of the arty yet simply titled Bar and Nick Katz, Sidebar aspires to “bring a modern and eclectic nightlife and live music to this historic area.” Expected to perform amidst a backdrop of “smoky and sultry decor,” are Austin Paul, Jacuzzi Boys, Steven Clark, Ketchy Shuby, Problem Kids and surprise performances from leading emerging and indie artists. Little Havana is emerging as a very happening spot, first with Ball & Chain, the ongoing renovation of the Tower Theater and now Sidebar, 337 SW 8th Street, opening to the public on Friday, Nov.
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